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Winning
Squash: The Middle Game
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What do I mean by a “middle game?”
This article is fundamental to all
racket games. It is written about tennis but applies beautifully to
squash. Winning the middle game is the way to success in squash.
PLAYING THE
“MIDDLE” GAME
BOOK EXCERPT FROM “TENNIS: WINNING THE MENTAL MATCH”
By Allen Fox, Ph.D. © 2012, all rights reserved
I was recently watching a match between a hard-hitting, talented junior
player and a cagey senior. The junior hit every shot better than the
senior yet was managing to lose anyway. I was puzzled. To all
appearances the junior should have been winning in a walk, but wasn’t.
What was happening? Careful observation provided the answer. The junior
could hit great shots but lacked a “middle game.” Without this he was
able to look flashy and play close matches with excellent players, but
not to win.
What do I mean by a “middle game?” The middle game is the stable
platform of consistent shots around which successful competitors build
their games. It is the base of shots that they can make nine out of ten
times, and it is as essential to victory as is blocking and tackling in
football. Only when it is in place can players afford to try the
occasional risky winner or the deceptive change-up. Winning players use
their middle games like the Chinese water torture. Its drip, drip, drip
keeps their opponents under constant, wearing pressure. Without a middle
game, players must bank on making large numbers of lower percentage,
difficult, hit or miss shots, and the odds are heavily against putting
enough of these together to actually win matches. Like pulling for
inside straights in poker, it is a losing proposition. By contrast,
winning players employ their middle game shots to win most of their
points, saving the risky, tricky stuff for situations of lesser
importance, to throw opponents off balance, or for times when they just
feel gifted.
Middle game shots on the baseline are generally crosscourt, particularly
on the backhand side. Successful baseliners are generally able to drive
the ball crosscourt over and over again with their backhands, pushing
their opponents ever deeper and wider. They continue this until they get
a short reply which they can attack down the line, or until their
opponents, out of desperation, try a low percentage up the line shot
that either misses outright or leaves him or her open to attack. In any
case the key is to develop a crosscourt stroke sound enough to go toe to
toe with your opponent and be confident that you can keep it up longer
than he or she can. Conceptually, having a superior middle game allows
you to occupy the high percentage part of the game and forces your
opponent to go around you with low percentage, risky, and, ultimately,
losing shots.
At his peak, Andre Agassi had a great middle game. Of course he had a
killer forehand and was a great shot-maker as well, but he won many of
his matches by simply hitting his backhand crosscourt better than his
opponent. He would drive the ball crosscourt three or four times until
his opponent was playing from outside the doubles alley. From this
position his opponent had limited options, and all of them were bad. His
court had an opening the size of Russia, so any mistake or short ball
would instantly undo him; continuing to hit crosscourt into Agassi’s
backhand was getting him farther out of position all the time; and
attempting a down the line winner might pay off with about the frequency
of a solar eclipse. It was a great situation for Agassi and, when his
head was right, he used it over and over to win countless matches.
How do you get a reliable middle game? The first step is to realize that
having one is absolutely essential to your success as a tennis player
and to become determined to develop one. (Most people do not realize
this and spend most of their time just running around hitting shots.
This is mentally easier, but it only works if one sticks to opponents
who don’t know how to play tennis well.) Second, you develop a middle
game with will and deliberate, painstaking effort on the practice court.
Dependable strokes come from good technique ingrained into your muscle
memory by proper repetitive practice. This takes mental as well as
physical exertion. You must concentrate on getting into position early,
relaxing, and using body rotation and forward leg drive to generate
racket speed. And until these habits are totally internalized and
developed you must consciously focus on them in practice, constantly
correcting any deviation from proper technique. This is a laborious
process and requires great mental discipline – a lot less fun than just
whacking balls around, but well worth the effort in the long run.
Developing a middle game should be at the heart of any beginning
player’s training. This is the early, hard-work part of becoming a
tennis player. During this stage one should be in no hurry to hit the
ball hard. Learning proper technique is the primary objective, and this
is best accomplished by hitting the ball easy and in the court. Once
good technique is ingrained, power can be gradually ratcheted up.
The middle game also extends to the serve. Here having a middle game
involves having a reliable and effective second serve. Without this you
will be in constant peril. As with the rest of the middle game, the
second serve is meat and potatoes; the first serve is gravy. And
watching a pro like Andy Roddick hit four huge, un-returnable first
serves in the final game of the 2003 US Open throws a lot of people off.
Observing this tempts amateurs to work on increasing the power of their
first serves rather than on the technique and consistency of their
second. Roddick only had the confidence and leeway to try these giant
first serves because he has a deadly and reliable second serve. Without
a useful second serve you will have to reduce the power of your first
serve and try, at all costs, to get the first one in rather than risk a
double fault or a patty cake second that your opponent can attack.
And the reliable second serve that you need is generally going to depend
upon spin. Spin allows you to impart a great deal of energy to the ball,
yet have it move slowly enough through the air and clear the net by a
wide enough margin to be safe and effective. You must practice hitting
spin serves diligently and often in order to educate your hands and
wrists on its intricacies. Controlling your serve while manoeuvring your
racket around the ball instead of flush and directly through it is, at
first, tricky and difficult. Your hand does not automatically know what
to do, and balls go everywhere but in the court. After a while, however,
you develop a feel in your hands for using the spin and the serve
becomes secure. The next step of learning a flat, hard first serve comes
far more easily.
In the end analysis, matches are not won merely by hitting great
shots. They are won by applying consistent pressure and, if the moon and
stars are right, hitting a few great shots. At the recreational level
particularly, they are usually won if you can make fewer errors than
your opponent. And this is only possible if you have and use a
well-developed, reliable middle game. |
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